Hey guys,
Like always, I'm behind in my postings.
I'm going to schedule the rest of my articles from the Charge of the Write Brigade. http://writebrigade.blogspot.com/
Hopefully you'll like them.
Wednesday, November 10, 2010
Don’t you forget about me
Originally posted on 8/30/09 for the Charge of the Write Brigade.
Stephenie Meyer woke up after a strange dream about a love struck vampire and a mortal girl in a meadow. She quickly wrote down the dream as best as she could remember. JK Rowling pictured her main character while riding a commuter train and took no time to jot the ideas and concepts down on any paper she could find.
Like them or not, you can’t deny the impact both authors have had on the industry. If either one blew off their flashes of idea, where would their fans be now? Both introduced people to the world of books during an age of TV, video games and other visual forms of entertainment.
Writers have a gift. We have the talent for seeing interesting characters, places and situations where others see only what’s in front of them. Last time I wrote about the effect of music on inspiration but today I’d like to focus on what you should do once that inspiration strikes.
Ideas come from everywhere. A quiet campsite, a bubbling brook, a crowded city, the view from a plane window, a vivid dream, or even other’s creations can all bring ideas. We watch a show or read a book and a thought strikes us: “That’s all well and good but what if…”
If and when these ideas strike there is one thing and only one thing you should do. As quick as possible, before anything or anyone stops you, write it down and keep it. I don’t care if you prefer to write long hand on paper, napkins, flesh or toilet paper. I don’t care if you choose to keep folders of scribbles that only you or a team of trained code breakers could understand. I don’t care if you prefer to keep electronic files full of notes. All that matters is that you write down, record or even video any idea for later.
I personally like a loose outline. Many don’t. In fact the writers’ website known as Absolute Write has that very question in their members profile info. Outline or no outline? Ultimately it matters not as long as you have a system that works.
Here is my system:
1) Idea pops into my head.
2) I use whatever is available to write it down (if nothing is available, I keep the idea in the back of my head until I get something to write it down).
3) Once home I transfer the idea into my notes, i.e. my “Who’s Who” or “Timeline”. Save file.
4) Refer back to notes when I reach that character or scene.
Simple, no?
Let me explain the “Who’s Who” and “Timeline”.
For me, the term “Who’s Who” comes from DC Comics. Back in the ‘80s they published their “Who’s Who” over a twelve month period. Each issue featured their various characters. There was information on their full names, birth dates, death dates, eye & hair color, height & weight, history, powers & abilities and anything else that mattered. Marvel comics did the same thing but called it The Official Handbook of the Marvel Universe.
In my Annabelle’s Who’s Who, I don’t go into all that detail unless that stuff is worked out. I do include any information that is important to my stories. This might be their history, motivations, relationships or passions. When an idea for a new character or changes to an existing character strikes me I open the file and put it in.
My Timeline is a list of every major event in the lives of Annabelle and Roland from 1687 AD to the current time.
I’m writing a YA historical vampire fantasy fiction series. One of the reasons I placed Ann’s origins three-hundred years in the past was to have fun with history. As far as I can tell, every vampire story begins with a human from now-a-days meeting a vampire. The vamp isn’t the MC because we can’t relate with someone who lived forever. I beg to differ. Sure, I could be wrong but why not go with the dream?
So instead of beginning now and have my vamps say “Remember when the Salem jail was packed with dirty innocent people and we had to rescue that real witch?” I show them doing events in order of when they actually experience them. So the famous witch trails are touched upon in the first book, pirates and post-fire London in the second, and so on.
With this plan, I need a comprehensive list of where they were during the last three-hundred years. When a character or setting pops into my head, I add it to my Timeline. When I come across a particularly juicy piece of history, I put it in my Timeline.
When I actually write the stories, I copy and paste the notes needed into my actual story, then write through as the inspiration takes me, including the notes where they fit into the story.
This system works for me. What systems do you use to catch inspiration and bottle it up until you need it?
Stephenie Meyer woke up after a strange dream about a love struck vampire and a mortal girl in a meadow. She quickly wrote down the dream as best as she could remember. JK Rowling pictured her main character while riding a commuter train and took no time to jot the ideas and concepts down on any paper she could find.
Like them or not, you can’t deny the impact both authors have had on the industry. If either one blew off their flashes of idea, where would their fans be now? Both introduced people to the world of books during an age of TV, video games and other visual forms of entertainment.
Writers have a gift. We have the talent for seeing interesting characters, places and situations where others see only what’s in front of them. Last time I wrote about the effect of music on inspiration but today I’d like to focus on what you should do once that inspiration strikes.
Ideas come from everywhere. A quiet campsite, a bubbling brook, a crowded city, the view from a plane window, a vivid dream, or even other’s creations can all bring ideas. We watch a show or read a book and a thought strikes us: “That’s all well and good but what if…”
If and when these ideas strike there is one thing and only one thing you should do. As quick as possible, before anything or anyone stops you, write it down and keep it. I don’t care if you prefer to write long hand on paper, napkins, flesh or toilet paper. I don’t care if you choose to keep folders of scribbles that only you or a team of trained code breakers could understand. I don’t care if you prefer to keep electronic files full of notes. All that matters is that you write down, record or even video any idea for later.
I personally like a loose outline. Many don’t. In fact the writers’ website known as Absolute Write has that very question in their members profile info. Outline or no outline? Ultimately it matters not as long as you have a system that works.
Here is my system:
1) Idea pops into my head.
2) I use whatever is available to write it down (if nothing is available, I keep the idea in the back of my head until I get something to write it down).
3) Once home I transfer the idea into my notes, i.e. my “Who’s Who” or “Timeline”. Save file.
4) Refer back to notes when I reach that character or scene.
Simple, no?
Let me explain the “Who’s Who” and “Timeline”.
For me, the term “Who’s Who” comes from DC Comics. Back in the ‘80s they published their “Who’s Who” over a twelve month period. Each issue featured their various characters. There was information on their full names, birth dates, death dates, eye & hair color, height & weight, history, powers & abilities and anything else that mattered. Marvel comics did the same thing but called it The Official Handbook of the Marvel Universe.
In my Annabelle’s Who’s Who, I don’t go into all that detail unless that stuff is worked out. I do include any information that is important to my stories. This might be their history, motivations, relationships or passions. When an idea for a new character or changes to an existing character strikes me I open the file and put it in.
My Timeline is a list of every major event in the lives of Annabelle and Roland from 1687 AD to the current time.
I’m writing a YA historical vampire fantasy fiction series. One of the reasons I placed Ann’s origins three-hundred years in the past was to have fun with history. As far as I can tell, every vampire story begins with a human from now-a-days meeting a vampire. The vamp isn’t the MC because we can’t relate with someone who lived forever. I beg to differ. Sure, I could be wrong but why not go with the dream?
So instead of beginning now and have my vamps say “Remember when the Salem jail was packed with dirty innocent people and we had to rescue that real witch?” I show them doing events in order of when they actually experience them. So the famous witch trails are touched upon in the first book, pirates and post-fire London in the second, and so on.
With this plan, I need a comprehensive list of where they were during the last three-hundred years. When a character or setting pops into my head, I add it to my Timeline. When I come across a particularly juicy piece of history, I put it in my Timeline.
When I actually write the stories, I copy and paste the notes needed into my actual story, then write through as the inspiration takes me, including the notes where they fit into the story.
This system works for me. What systems do you use to catch inspiration and bottle it up until you need it?
Play That Funky Music
Originally posted on 8/16/09 for the Charge of the Write Brigade.
The theme to “Edward Scissorhands” by Danny Elfman begins. My mind instantly travels to a dark Fall night. Eliza Pratchet walks purposefully with two children in red cloaks following behind. She’s taking them through the small colonial settlement for another lesson. Annabelle’s undead pulse quickens with excitement. Will they finally learn how to become bats?
At the point of the song marked 02:08 the soft eerie tempo starts to wave, like small bat wings. Ann and her brother flutter under the moonlight. Then around 02:59 the quirky march slows off to become a gentle ballad and I see her. I can’t help it. Her flowing red curls, the gleam of happiness in her crimson eyes, the gentle billowing of her blue dress and red cloak in the wind as she floats ten feet in the air. Annabelle’s inner peace, joy and love all moves through my soul.
That is what I see every time that song is played. Heck, even if we’re watching the movie, I see it. That theme will forever be linked in my mind as “Annabelle’s Theme”. If I could choose a composer for a Night Children movie it would be Danny Elfman, hands down.
Music inspires me. I can’t help it. Heck, I wouldn’t want to. It doesn’t matter if there are lyrics, or what style the music is. Certain songs send me off to other worlds.
My main antagonist, Dominic, commands attention as I listen to “The Kraken” from the “Pirates Of The Caribbean: Dead Man's Chest” soundtrack by Hans Zimmer.
“Love Song For A Vampire” by Annie Lennox puts me straight into Eliza’s mind as she cares for the dying children, ready to change them forever rather than let them die so young.
The list goes on and on. Some songs provide me with actual scenes from my series, like “Carpe Noctem” from the Dance of the Vampires soundtrack, “Journey to Transylvania” from the Van Helsing soundtrack by Alan Silvestri, the “Poltergeist” theme, “Libra Me” and the “Davy Jones” theme from that same Pirates movie.
Other songs create characters. “Original Sin” from the Dance of the Vampires soundtrack, “Moon Over Bourbon Street” by Sting, “Taste of Blood” by Mazzy Star, “Lucretia My Reflection” by Sisters of Mercy and “Transylvanian Concubine” by Rasputina have all created very interesting cast members.
Then there are those songs that simply put me in a vampire mood. “Cry Little Sister” by Gerard McMann, “Supermassive Black Hole” by Muse, “Go All The Way (Into The Twilight)” by Perry Farrell, “Bela Lugosi's Dead” by Bauhaus, “Bloodletting” by Concrete Blonde and of course the mack daddy of all vampire songs, “Toccata and Fugue in D minor” by Johann Sebastian Bach .
I’ve used enough quotation marks to allow this post to fly but I think I’ve made my point. Music can be a powerful tool for writers. Ever watch a movie and catch yourself leaning forward in your chair, not because of what’s going on, but because the music is telling you something bad is about to happen? Once again, the power of music.
It can show you the gentle parts of your story or the fast paced action sequence. Characters, settings and entire plots and subplots form in your mind as the songs continue. If you haven’t tried to use music before, give it a chance.
Think of the kinds of music you would expect to hear if your story was a movie. What songs really cover your theme? Then while listening to them, close your eyes and picture the scenes in your novel.
Not everyone is inspired by the same things, but if this works for you I’d suggest creating folder of music for your music player of choice. A soundtrack if you will. Then when you’re feeling writers block, play it and watch the scenes grow.
Sometimes when I need to be inspired, I’ll play the Vampire Folder on my media player.
I feel sorry for my coworkers. I have no clue why they haven’t yelled at me. Maybe because I turn it down? At home I have no fear. My wife and children support my dreams. My children are easily warped. I put on Scissorhands and they shout “It’s the Annabelle theme!
Happy writing.
The theme to “Edward Scissorhands” by Danny Elfman begins. My mind instantly travels to a dark Fall night. Eliza Pratchet walks purposefully with two children in red cloaks following behind. She’s taking them through the small colonial settlement for another lesson. Annabelle’s undead pulse quickens with excitement. Will they finally learn how to become bats?
At the point of the song marked 02:08 the soft eerie tempo starts to wave, like small bat wings. Ann and her brother flutter under the moonlight. Then around 02:59 the quirky march slows off to become a gentle ballad and I see her. I can’t help it. Her flowing red curls, the gleam of happiness in her crimson eyes, the gentle billowing of her blue dress and red cloak in the wind as she floats ten feet in the air. Annabelle’s inner peace, joy and love all moves through my soul.
That is what I see every time that song is played. Heck, even if we’re watching the movie, I see it. That theme will forever be linked in my mind as “Annabelle’s Theme”. If I could choose a composer for a Night Children movie it would be Danny Elfman, hands down.
Music inspires me. I can’t help it. Heck, I wouldn’t want to. It doesn’t matter if there are lyrics, or what style the music is. Certain songs send me off to other worlds.
My main antagonist, Dominic, commands attention as I listen to “The Kraken” from the “Pirates Of The Caribbean: Dead Man's Chest” soundtrack by Hans Zimmer.
“Love Song For A Vampire” by Annie Lennox puts me straight into Eliza’s mind as she cares for the dying children, ready to change them forever rather than let them die so young.
The list goes on and on. Some songs provide me with actual scenes from my series, like “Carpe Noctem” from the Dance of the Vampires soundtrack, “Journey to Transylvania” from the Van Helsing soundtrack by Alan Silvestri, the “Poltergeist” theme, “Libra Me” and the “Davy Jones” theme from that same Pirates movie.
Other songs create characters. “Original Sin” from the Dance of the Vampires soundtrack, “Moon Over Bourbon Street” by Sting, “Taste of Blood” by Mazzy Star, “Lucretia My Reflection” by Sisters of Mercy and “Transylvanian Concubine” by Rasputina have all created very interesting cast members.
Then there are those songs that simply put me in a vampire mood. “Cry Little Sister” by Gerard McMann, “Supermassive Black Hole” by Muse, “Go All The Way (Into The Twilight)” by Perry Farrell, “Bela Lugosi's Dead” by Bauhaus, “Bloodletting” by Concrete Blonde and of course the mack daddy of all vampire songs, “Toccata and Fugue in D minor” by Johann Sebastian Bach .
I’ve used enough quotation marks to allow this post to fly but I think I’ve made my point. Music can be a powerful tool for writers. Ever watch a movie and catch yourself leaning forward in your chair, not because of what’s going on, but because the music is telling you something bad is about to happen? Once again, the power of music.
It can show you the gentle parts of your story or the fast paced action sequence. Characters, settings and entire plots and subplots form in your mind as the songs continue. If you haven’t tried to use music before, give it a chance.
Think of the kinds of music you would expect to hear if your story was a movie. What songs really cover your theme? Then while listening to them, close your eyes and picture the scenes in your novel.
Not everyone is inspired by the same things, but if this works for you I’d suggest creating folder of music for your music player of choice. A soundtrack if you will. Then when you’re feeling writers block, play it and watch the scenes grow.
Sometimes when I need to be inspired, I’ll play the Vampire Folder on my media player.
I feel sorry for my coworkers. I have no clue why they haven’t yelled at me. Maybe because I turn it down? At home I have no fear. My wife and children support my dreams. My children are easily warped. I put on Scissorhands and they shout “It’s the Annabelle theme!
Happy writing.
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